“But I shan’t see him that, even if I do live,” she went on. “He’ll never be that, without you. And I’d be so proud to think that he would. I shouldn’t mind going then,” she added. It was better for him he should think as he did. She rose and held out her hand.!

One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

And then the pew-opener had stolen up unobserved, and had taken it so for granted that she would like to be shown round, and had seemed so pleased and eager, that she had not the heart to repel her. A curious little old party with a smooth, peach-like complexion and white soft hair that the fading twilight, stealing through the yellow glass, turned to gold. So that at first sight Joan took her for a child. The voice, too, was so absurdly childish—appealing, and yet confident. Not until they were crossing the aisle, where the clearer light streamed in through the open doors, did Joan see that she was very old and feeble, with about her figure that curious patient droop that comes to the work-worn. She proved to be most interesting and full of helpful information. Mary Stopperton was her name. She had lived in the neighbourhood all her life; had as a girl worked for the Leigh Hunts and had “assisted” Mrs. Carlyle. She had been very frightened of the great man himself, and had always hidden herself behind doors or squeezed herself into corners and stopped breathing whenever there had been any fear of meeting him upon the stairs. Until one day having darted into a cupboard to escape from him and drawn the door to after her, it turned out to be the cupboard in which Carlyle was used to keep his boots. So that there was quite a struggle between them; she holding grimly on to the door inside and Carlyle equally determined to open it and get his boots. It had ended in her exposure, with trembling knees and scarlet face, and Carlyle had addressed her as “woman,” and had insisted on knowing what she was doing there. And after that she had lost all terror of him. And he had even allowed her with a grim smile to enter occasionally the sacred study with her broom and pan. It had evidently made a lasting impression upon her, that privilege. “Poor dear lady,” he said, “all those years! And poor Jack Allway.” He seemed to be talking to himself. Suddenly he turned to her. “How is the dear fellow?” he asked. A Conscientious Objector. She might have guessed it. A “Conchy,” as they would call him in the Press: all the spiteful screamers who had never risked a scratch, themselves, denouncing him as a coward. The local Dogberrys of the tribunals would fire off their little stock of gibes and platitudes upon him, propound with owlish solemnity the new Christianity, abuse him and condemn him, without listening to him. Jeering mobs would follow him through the streets. More than once, of late, she had encountered such crowds made up of shrieking girls and foul-mouthed men, surging round some white-faced youngster while the well-dressed passers-by looked on and grinned.